Genre: Comedy/Drama
Cast: Prashant Damle, Savita Prabhune, Arun Nalavade, Vina Jamkar
Director: Vaman Kendre
Writer: Ratnakar Matkari
Runtime: 120 min (approx.)
Rating: 9/10
Well, I don’t watch too many plays; forget about any visual art that’s presented in Marathi. But there I was, watching probably only the 4th Marathi play in my life, with a (false) hope that it will ignite in me (false) pride about my Marathi roots and trying to prove myself (and probably others too) that I am Maharashtrian enough. The only thing I knew was Prashant Damle was the leading actor and I needed nothing else to convince me to go for it. After all Prashant Damle is a very well known actor with natural born talent for acting and lots of records in his name. He didn’t disappoint me. Well the play’s name is “Chaar Diwas Premaache” which when literally translated into English sounds “Four Days of Love”, but in essence means “Love is short lived” or rather “Days of true love are numbered”. The theme of the play is based on love marriages and why or how they fail. It tries to say that in today’s fast paced world and superficial relationships, it takes few moments to fall in love and a life time to adjust to it. Hmmm… quite serious topic eh?!! Indeed, but it has been presented in a very innovative way with a humorous theme. It portrays events between lovers, and eventual husband-wife, in day-to-day situations that we can easily relate to. Though the theme is love and the genre is comedy, it tries to distance itself from vulgarity that is so common place in media today. The play itself has no story as such and is divided into random acts depicting events from “falling in love” to “taking care of each other in the last days of life”.
Synopsis: The play opens with the theme song “Chaar Diwas Premaache” followed by different acts with different characters in different situations. (The name for each act is given by me and no such naming exists in the actual play.)
Act 1: Soneri SandhyakaL (The golden evening):
Situation: Guy 1 loves his childhood friend Girl 1, who loves another Guy 2, who in turn loves her friend Girl 2. Fortunately Girl 2 also loves Guy 2.
Best performance: Arun Nalavade entering the stage on a bicycle in a manner as if he is riding a horse.
Act 2: Beach warchi bhet (Intimate moments on a beach)Situation: Both lovers in a dilemma if they are too fast in proposing for a marriage.
Best Performance: Prashant Damle and Savita Prabhune as conscience/second mind of the lovers.
Act 3: Me navin vicharanchi adhunik mulgi ahe (I’m a modern girl of new age culture)Situation: Girl going against her parent’s wishes and marrying an illiterate, unemployed, good-for-nothing man. After marriage she realizes that it takes more than just love to make it work.
Best Performance: Savita Prabhune as a grieving mother. Her wailing act is hilarious.
Act 4: Bayko geli maheri (Wife goes back to her parents’ after a fight)
Situation: A couple have a fight over something. One thing leads to another, and in the heat of the moment husband says he does not love his wife anymore. So wife leaves him and returns to her parents’. The rest of the act shows how the guy apologizes and requests his wife to come back.
Best Performance: Prashant Damle as the husband trying to win back his wife’s heart.
Act 5: Professor aNi tyanchi bayko (Professor and his wife)Situation: How a couple loves each other and yet don’t show their feelings. Why a romantic guy before marriage seems uninterested in his wife later?
Best Performance: Arun Nalavade’s analysis of a fictional play. “Pahilach anka dusryanda kela asta tari challa asta”.
Act 6: Saasuche guNgaan (The incredible Mother-in-law)
Situation: A guy comes home and hears from his wife that “Mom is coming”. He immediately gets frustrated and starts squabbling about his Mother-in-law and how his life becomes hell when she comes. The funniest part comes in the end where husband realizes that “The Mom” is his own mom.
Best Performance: Savita Prabhune as the Mom and various nicknames that she uses to call her son.
Act 7: Bhandaychi yogya veL (Appropriate Time to fight)Situation: Husband coming home tired and having to sleep early since there is an important meeting in his office the next day. But wife finds exactly the same moment to pick up a fight over some trivial issue.
Best Performance: Prashant Damle as a poor husband deprived of sleep due to ever complaining wife.
Act 8: Game Show (Game Show)Situation: A couple enters a TV game show to show how much they know and love each other.
Best Performance: The ending where husband tells wife that they don’t need a game show to prove their love’s worth.
Act 9: Ayushyachi sandhyakaL (Life’s last act)Situation: A couple trying to console and support each other, with son and daughter-in-law settled in America and no one to look after them in old age.
Best Performance: Prashant Damle as the old husband, who sings a classical song to entertain his wife. Savita Prabhune as his wife who has lost eye-sight due to old age.
My favourite act.
Though when looked at them individually, these acts seem like different episodes, but essentially constitute one single story in itself, when the bigger picture is taken into consideration. Only four actors portrayed all the characters in the play. Quite an impressive performance by each of them. And I must appreciate Prashant Damle’s energy levels. He puts in so much passion in everything he performs, it is quite remarkable. He seemed like a guy in his twenties. The flow of the acts was smooth and except for the last act, I was laughing till I dropped off my chair. Full credit to director and story writer. Some of the dialogs were really striking. Like “Romeo and Juliet premaat padunach war gelet mhaNun amar zalet. nahitar tyanchahi lagna zala asta tar kaay zala asta ha vichar karun paN hasu yete” (Romeo and Juliet fell in love with each other and died and that’s why their love has become eternal. Just imagine how it would have been had they got married!) But the play carries a strong undertone and it is presented very systematically throughout until it becomes obvious in the last act. The writer is trying to tell that “With love comes compromise, and if you are ready to do that, your union is bound to survive for ages. Before marriage lovers are trying to know each other, after marriage they try to understand each other. For doing that patience and tolerance plays a vital role. That’s the secret of surviving a marriage till old age.” A serious message packaged in a light hearted way – Takes a real artistic mind to do that.
Ratings Break-up:Acting: 2.25/2.5
Direction: 2.25/2.5
Plot/Story: 2.0/2.5
Theme Factor (Comedy) : 2.5/2.5
An outstanding play. Kudos to entire team!!!
I still find myself murmuring the theme song:
Cast: Prashant Damle, Savita Prabhune, Arun Nalavade, Vina Jamkar
Director: Vaman Kendre
Writer: Ratnakar Matkari
Runtime: 120 min (approx.)
Rating: 9/10
Well, I don’t watch too many plays; forget about any visual art that’s presented in Marathi. But there I was, watching probably only the 4th Marathi play in my life, with a (false) hope that it will ignite in me (false) pride about my Marathi roots and trying to prove myself (and probably others too) that I am Maharashtrian enough. The only thing I knew was Prashant Damle was the leading actor and I needed nothing else to convince me to go for it. After all Prashant Damle is a very well known actor with natural born talent for acting and lots of records in his name. He didn’t disappoint me. Well the play’s name is “Chaar Diwas Premaache” which when literally translated into English sounds “Four Days of Love”, but in essence means “Love is short lived” or rather “Days of true love are numbered”. The theme of the play is based on love marriages and why or how they fail. It tries to say that in today’s fast paced world and superficial relationships, it takes few moments to fall in love and a life time to adjust to it. Hmmm… quite serious topic eh?!! Indeed, but it has been presented in a very innovative way with a humorous theme. It portrays events between lovers, and eventual husband-wife, in day-to-day situations that we can easily relate to. Though the theme is love and the genre is comedy, it tries to distance itself from vulgarity that is so common place in media today. The play itself has no story as such and is divided into random acts depicting events from “falling in love” to “taking care of each other in the last days of life”.
Synopsis: The play opens with the theme song “Chaar Diwas Premaache” followed by different acts with different characters in different situations. (The name for each act is given by me and no such naming exists in the actual play.)
Act 1: Soneri SandhyakaL (The golden evening):
Situation: Guy 1 loves his childhood friend Girl 1, who loves another Guy 2, who in turn loves her friend Girl 2. Fortunately Girl 2 also loves Guy 2.
Best performance: Arun Nalavade entering the stage on a bicycle in a manner as if he is riding a horse.
Act 2: Beach warchi bhet (Intimate moments on a beach)Situation: Both lovers in a dilemma if they are too fast in proposing for a marriage.
Best Performance: Prashant Damle and Savita Prabhune as conscience/second mind of the lovers.
Act 3: Me navin vicharanchi adhunik mulgi ahe (I’m a modern girl of new age culture)Situation: Girl going against her parent’s wishes and marrying an illiterate, unemployed, good-for-nothing man. After marriage she realizes that it takes more than just love to make it work.
Best Performance: Savita Prabhune as a grieving mother. Her wailing act is hilarious.
Act 4: Bayko geli maheri (Wife goes back to her parents’ after a fight)
Situation: A couple have a fight over something. One thing leads to another, and in the heat of the moment husband says he does not love his wife anymore. So wife leaves him and returns to her parents’. The rest of the act shows how the guy apologizes and requests his wife to come back.
Best Performance: Prashant Damle as the husband trying to win back his wife’s heart.
Act 5: Professor aNi tyanchi bayko (Professor and his wife)Situation: How a couple loves each other and yet don’t show their feelings. Why a romantic guy before marriage seems uninterested in his wife later?
Best Performance: Arun Nalavade’s analysis of a fictional play. “Pahilach anka dusryanda kela asta tari challa asta”.
Act 6: Saasuche guNgaan (The incredible Mother-in-law)
Situation: A guy comes home and hears from his wife that “Mom is coming”. He immediately gets frustrated and starts squabbling about his Mother-in-law and how his life becomes hell when she comes. The funniest part comes in the end where husband realizes that “The Mom” is his own mom.
Best Performance: Savita Prabhune as the Mom and various nicknames that she uses to call her son.
Act 7: Bhandaychi yogya veL (Appropriate Time to fight)Situation: Husband coming home tired and having to sleep early since there is an important meeting in his office the next day. But wife finds exactly the same moment to pick up a fight over some trivial issue.
Best Performance: Prashant Damle as a poor husband deprived of sleep due to ever complaining wife.
Act 8: Game Show (Game Show)Situation: A couple enters a TV game show to show how much they know and love each other.
Best Performance: The ending where husband tells wife that they don’t need a game show to prove their love’s worth.
Act 9: Ayushyachi sandhyakaL (Life’s last act)Situation: A couple trying to console and support each other, with son and daughter-in-law settled in America and no one to look after them in old age.
Best Performance: Prashant Damle as the old husband, who sings a classical song to entertain his wife. Savita Prabhune as his wife who has lost eye-sight due to old age.
My favourite act.
Though when looked at them individually, these acts seem like different episodes, but essentially constitute one single story in itself, when the bigger picture is taken into consideration. Only four actors portrayed all the characters in the play. Quite an impressive performance by each of them. And I must appreciate Prashant Damle’s energy levels. He puts in so much passion in everything he performs, it is quite remarkable. He seemed like a guy in his twenties. The flow of the acts was smooth and except for the last act, I was laughing till I dropped off my chair. Full credit to director and story writer. Some of the dialogs were really striking. Like “Romeo and Juliet premaat padunach war gelet mhaNun amar zalet. nahitar tyanchahi lagna zala asta tar kaay zala asta ha vichar karun paN hasu yete” (Romeo and Juliet fell in love with each other and died and that’s why their love has become eternal. Just imagine how it would have been had they got married!) But the play carries a strong undertone and it is presented very systematically throughout until it becomes obvious in the last act. The writer is trying to tell that “With love comes compromise, and if you are ready to do that, your union is bound to survive for ages. Before marriage lovers are trying to know each other, after marriage they try to understand each other. For doing that patience and tolerance plays a vital role. That’s the secret of surviving a marriage till old age.” A serious message packaged in a light hearted way – Takes a real artistic mind to do that.
Ratings Break-up:Acting: 2.25/2.5
Direction: 2.25/2.5
Plot/Story: 2.0/2.5
Theme Factor (Comedy) : 2.5/2.5
An outstanding play. Kudos to entire team!!!
I still find myself murmuring the theme song:
“Chaar diwas premaache, Chaar diwas priteeche,
Baki saari saunsaaraachya riwaaj riteeche…….”
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